Last Updated 2 months ago
Block, Light, Rehearse, Tweak, Shoot. Have you heard this before?
One thing I’ve noticed in my time in the film industry is that on many smaller sets the basic way things should run is completely thrown out the window!
I admit that on some sets doing a complete crew blocking is not always necessary, but even when a Blocking isn’t completely needed, it can be a huge help to your crew. At the end of the day, everyone needs to know what is happening in the scene and the best way to achieve that is to just do a blocking for everyone.
Also, don’t you think it would just make sense to get into the habits of the pros?
Block, Light, Rehearse, Tweak, Shoot:
Private Blocking
Sometimes a Director will need to Block the scene with the actors in private before being ready to share the scene with the crew. When a private blocking is happening, the crew should stay away from the area and try to do some quite work. Grips and Electrics can take this time to build staging area, prep lights or lay cable.
Crew Blocking
Crew blocking is when the scene is acted out for the key crew members. Department heads watch and have an opportunity to ask questions and/or resolve potential issues before they arise. Departments like Grip and Lighting can get a better understanding of necessary tasks based on what is happening. It also aids communication between the Cinematographer and his Grip and Lighting team. When finished actors can go to makeup or do whatever they need while the rest of the crew moves on. Art department can finish any necessary work as well.
Light
After the blocking the Cinematographer gets a chance to discuss the lighting plan with the gaffer and key grip, they go to work as camera team sets up the shot and the rest of the crew does whatever they need to prepare for the shot. The Assistant Director department times everything out so actors can be ready at the same time as the rest of the crew.
Rehearse
When everyone is ready rehearsals should begin. Many productions roll on the rehearsal, especially in the Digital world. This is fine, but generally you rehearse before you roll so you can work out any kinks or make final tweaks before you commit to a take.
Tweak
If necessary, the Cinematographer or Director can make tweaks to the scene based on issues that came up during rehearsals. This can involve adding lights, changing camera positions or height, changing the set, props, wardrobe, makeup or even changing up the blocking. Really it’s just a fail safe to make sure you are getting every detail right.
Shoot
Shoot. Shoot. Shoot. Move on. Start over. Block, Light, Rehearse, Tweak, Shoot!
Block, Light, Rehearse, Tweak, Shoot
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If you don’t mind, can we start getting some gaffer lighting tutorial with pictures like the one above?
Yes, we have a lot of ideas floating around right now, is there anything in particular you would like to see?
this blog is awesome! I have been perusing through so many different websites, YouTube videos and how to websites that people have posted and for the first time in my many years of life, this particular posting on your blog has executed more ideas for training than anything else I’ve seen. simple yet very effective in helping want to understand how to achieve any project. Very well said and thank you.
TM
Really enjoying the articles. Simple and quick, yet very informative. One thing I’m finding in Film School is that students aren’t really learning how things should work on set. Also, working on some Indie films, this professional manner seems to be not understood. Thanks so much.